Junk Of the Heart

Marc Taro Holmes

Mon, 17 Jun 2013 23:04:18 -0300

Marc Taro Holmes

“Parley!”

Mon, 17 Jun 2013 22:56:36 -0300

“Parley!”

lmnpnch: Anton Yelchin photographed by Kurt Iswarienko

Mon, 17 Jun 2013 22:55:46 -0300

lmnpnch:

Anton Yelchin photographed by Kurt Iswarienko

strydering: YOU GUYS PROBABLY DON’T KNOW A SHIT ABOUT WHAT’S HAPPENING IN BRAZIL BUT AT THIS...

Mon, 17 Jun 2013 22:55:10 -0300

strydering:

YOU GUYS PROBABLY DON’T KNOW A SHIT ABOUT WHAT’S HAPPENING IN BRAZIL BUT AT THIS EXACTLY MOMENT WE HAVE MORE THAN 100000 PEOPLE IN THE STREETS PROTESTING IN RIO DE JANEIRO, MORE THAN 60000 IN SAO PAULO AND PROTESTS ARE HAPPENING RIGHT NOW IN THE WHOLE COUNTRY I’M JUST SO FUCKING PROUD OF MY PEOPLE AND SAD AT THE SAME TIME BECAUSE YOU GUYS FROM THE REST OF THE WORLD AREN’T GETTING INFORMATION ABOUT IT

Someone who already doubts their own identity can be more...

Mon, 17 Jun 2013 21:23:15 -0300

Someone who already doubts their own identity can be more susceptible to manipulation.

shouldn’t we say goodbye? won’t they wonder where we went? for...

Mon, 17 Jun 2013 20:51:47 -0300

_{shouldn’t we say goodbye? won’t they wonder where we went?}

_{for the rest of their lives. oh, the songs they’ll write.}

central-perk-lover: Brazil :100 000 people in Rio de Janeiro...

Mon, 17 Jun 2013 20:50:20 -0300

central-perk-lover:

Brazil :100 000 people in Rio de Janeiro protesting for a better country.This is Brazil! We are rewriting history

We make a family, yes? I’ve already got a family.

Mon, 17 Jun 2013 20:40:14 -0300

We make a family, yes?
I’ve already got a family.

Photo

Mon, 17 Jun 2013 20:35:09 -0300

This is the End and the endless jokes about rape

Mon, 17 Jun 2013 19:47:31 -0300

diaphenia:

Let’s talk about This is the End.

It’s celebrity rpf (Apocalypse AU) and whatever, the beginning of the movie is sort of fun, with a lot of cameos and celebrities running around partying.

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the mind. the soul. the heart.

Mon, 17 Jun 2013 19:34:16 -0300

the mind. the soul. the heart.

grey’s anatomy meme: seven...

Mon, 17 Jun 2013 14:11:37 -0300

_{grey’s anatomy meme: seven quotes}

_{↳ (6x24) april’s plea for her life (5/7)}

Photo

Mon, 17 Jun 2013 07:13:23 -0300

Photo

Sun, 16 Jun 2013 20:54:41 -0300

the-punslinger: no one really finishes tv series tv series finish us

Sun, 16 Jun 2013 09:59:05 -0300

the-punslinger:

no one really finishes tv series

tv series finish us

Photo

Sat, 15 Jun 2013 14:07:29 -0300

Are you trying to save my soul?

Sat, 15 Jun 2013 14:06:39 -0300

Are you trying to save my soul?

rogue-queen: did you know that if you go into your bathroom turn off the lights and say Spock three...

Sat, 15 Jun 2013 14:03:37 -0300

rogue-queen:

did you know that if you go into your bathroom turn off the lights and say Spock three times fast he won’t appear in your mirror because that is illogical

mcq by alexander mcqueen autumn/winter 2012-2013

Sat, 15 Jun 2013 12:34:35 -0300

mcq by alexander mcqueen autumn/winter 2012-2013

balphesian: nbchannibal: Let’s take a moment to appreciate how...

Sat, 15 Jun 2013 11:32:02 -0300

balphesian:

nbchannibal:

Let’s take a moment to appreciate how symbolic this shot is.

NBCHANNIBAL I SWEAR TO GOD

Actually yes, let’s do take a moment to appreciate how symbolic this shot is:

Bedelia has firmly removed herself from her psychiatrist’s chair, which is noticeably located on the lighter (illuminated) side of the room; in this moment, she is not a point of Light or Clarity, as psychiatrists often attempt to be for their patients (and what Bedelia arguably is, for Hannibal; the light to his unending dark, a shining brightness he fixates on in order to illuminate the world of humanity all around him). She is standing, not sitting. She has removed herself from the concept altogether—because she is maintaining boundaries, and recommending that Hannibal do the same, since, you know. Common sense. And yet, in doing this, she has moved to the dark side of the room; her allegiance is now more in line with Hannibal’s, sliding into the dimly lit world of secrets and half-truths. And Hannibal sits as if he is expecting her to drop back into that role—the role of his therapist. He is expecting it. She IS that role, for him. He expects it of her because his boundaries are not boundaries so much as they’re overlapping venn diagrams.

It’s also interesting to note that their positions switch completely during this scene; Hannibal begins it standing, staring out of the window into undefined light (like he’s done in other episodes; in Abigail’s hospital common room)—looking into the light, but separated from it entirely by a pane of glass. Bedelia sits in Hannibal’s chair, taking on a passive role for the time being, while Hannibal takes on the looming, aggressive one, silhouetted starkly by the light he can’t touch. When Bedelia stands, she is reasserting herself. She is someone worthy of respect; of course she’s tainted, but she wouldn’t betray herself or her patient, not when so much is on the line. Her posture says as much. And Hannibal does not kill her because she didn’t tell her secrets (their secrets) to Jack Crawford, which likely would have brought Jack closer to the truth he’s hunting—Hannibal must be careful to monitor his secret-keepers now more than ever. His change in demeanor is startling to watch when she brings it up, too; there’s an incredible dynamic to this scene, but it’s all body language. And they end it together—they end at this shot—because they’re in this together, whatever ‘this’ might be. (And yet they are still so very, very far apart.)